David Moreno Spanish, 1978
Loop_IV, 2020
Carbon steel, Silver, Paint
41 x 30 x 72 cm
16206
Moreno's sculptures are like sketches. They represent an imaginary architecture that stand halfway between 3D-model and crafted object, between concept and realization. This is why the works appear so weightless:...
Moreno's sculptures are like sketches. They represent an imaginary
architecture that stand halfway between 3D-model and crafted object,
between concept and realization. This is why the works appear so
weightless: they seem not entirely materialized. They still belong to
the realm of thought. One could say it's an architecture that hasn't
given up on the dreams and fantasies of the architect. Perhaps not given
up on some utopian purpose either. After all architecture is endowed
with a social and collective aura, and in that sense has always been
connected to the aspirations of people and societies.
architecture that stand halfway between 3D-model and crafted object,
between concept and realization. This is why the works appear so
weightless: they seem not entirely materialized. They still belong to
the realm of thought. One could say it's an architecture that hasn't
given up on the dreams and fantasies of the architect. Perhaps not given
up on some utopian purpose either. After all architecture is endowed
with a social and collective aura, and in that sense has always been
connected to the aspirations of people and societies.
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