• Iranian artists Icy and Sot are back in Paris with an exhibition that shows the depth of their evolution in recent years. Still very politically-minded, their work unfolds in an array of mediums that keeps expanding. The two brothers have practically reinvented metal fences, one of the key components in their creations, while including other materials like steel, wood, or crafting beautiful paintings using very unusual tools. A body of work becoming, as the years go by, more and more sculptural, intricate and ambitious.

  • The call to action of a generation

    Exposed to all sorts of injustices growing up in Iran, Icy and Sot are known for placing political discourse at the core of their artistic practice. “Art itself is a political act,” they say. This exhibition revolves around climate change activist Greta Thunberg’s now famous exhortation to “act as if the house was on fire”. Central to the exhibition, a video clip shows the skeleton of an actual house being eaten up by the flames. For art editor Sasha Bogojev: “Turning Greta’s inspiring words into poetic reality, Icy and Sot built a frame of an archetypal home and set it on fire. Allowing for the untouched surrounding nature to be seen between the blazing framework of the house, the artists suggest looking at the wider picture in which the Earth is our only home.”

  • An immersive exhibition
    Remains II, Icy & Sot, 2021, Alloy steel round bar, 44.5 x 38 x 30.5 cm

    An immersive exhibition

    The exhibition was conceived as a mise en abyme where video footage, sound and sculptural shapes intertwine, with a big installation recalling the video’s house on fire greeting the visitors at the entrance of the gallery. An elaborate presentation that works like a conceptual mirror room, where the artists’ statement gets refracted into overlapping images populating the space, creating the odd impression of being immersed in what the artists call "familiar / strange": the feeling of witnessing an alien reality that is very much ours. The eerie state of being caught in the rapid changes that affect society, not quite knowing if our role is that of an observer or a participant.

    • Saman & Sasan Oskouei Harmony, 2021 Corten Steel 65 x 56 x 79 cm 25 1/2 x 22 1/2 x 31 1/2 in
      Saman & Sasan Oskouei
      Harmony, 2021
      Corten Steel
      65 x 56 x 79 cm
      25 1/2 x 22 1/2 x 31 1/2 in
      View more details
    • Icy an Sot, sculpture, courtesy Danysz gallery
      Saman & Sasan Oskouei
      Shadow, 2021
      Steel sculpture
      40.6 x 20.3 x 40.6 cm
      16 x 8 x 16 in
      Edition of 3
      View more details
    • Saman & Sasan Oskouei Ambivalence I, 2021 Corten Steel 40 x 48 x 43 cm 16 x 19 x 17 in
      Saman & Sasan Oskouei
      Ambivalence I, 2021
      Corten Steel
      40 x 48 x 43 cm
      16 x 19 x 17 in
      View more details
    • Saman & Sasan Oskouei Ambivalence II, 2021 Corten Steel 40.5 x 46 x 35.5 cm 16 x 18 1/2 x 14 in
      Saman & Sasan Oskouei
      Ambivalence II, 2021
      Corten Steel
      40.5 x 46 x 35.5 cm
      16 x 18 1/2 x 14 in
      View more details
    • Saman & Sasan Oskouei Open Door, 2021 Corten Steel 56 x 11.5 x 35.5 cm 22 1/2 x 4 1/2 x 14 in
      Saman & Sasan Oskouei
      Open Door, 2021
      Corten Steel
      56 x 11.5 x 35.5 cm
      22 1/2 x 4 1/2 x 14 in
      View more details
    • Saman & Sasan Oskouei Break Free, 2021 Corten Steel 63.5 x 63.5 x 8 cm 25 x 25 x 3 1/2 in Edition of 5
      Saman & Sasan Oskouei
      Break Free, 2021
      Corten Steel
      63.5 x 63.5 x 8 cm
      25 x 25 x 3 1/2 in
      Edition of 5
      View more details
      Saman & Sasan Oskouei, Break Free, 2021
      Reserved
    • Saman & Sasan Oskouei Stuck in Time, 2021 Expanded Steel 124.5 x 122 x 13 cm 49 1/2 x 48 1/2 x 5 1/2 in
      Saman & Sasan Oskouei
      Stuck in Time, 2021
      Expanded Steel
      124.5 x 122 x 13 cm
      49 1/2 x 48 1/2 x 5 1/2 in
      View more details
    • Saman & Sasan Oskouei Passage, 2021 Chain Kink Fence and Alloy Steel Round Bar 130 x 107 cm 51 1/2 x 42 1/2 in
      Saman & Sasan Oskouei
      Passage, 2021
      Chain Kink Fence and Alloy Steel Round Bar
      130 x 107 cm
      51 1/2 x 42 1/2 in
      View more details
  • From Iran to the United States
    Shadow, Icy & Sot, 2021, Steel sculpture, 40.6 x 20.3 x 40.6 cm

    From Iran to the United States

    The two brothers began their artistic journey in the early 2000s by a spontaneous production of stickers and stencils, which they used to put up on public walls while skateboarding around the city. Street art at first was for them a remote and foreign thing they gradually got acquainted with on the internet, learning about international urban artists on photo-sharing platforms like Flickr. From the start their works were already political, dealing with themes like child labor, gender inequality or state repression. Censorship was systematic, the works would be taken down in no time, sometimes overnight. Time and again, the artists would get in trouble with the police, to the extent of being locked up for several days. Taking advantage of one of their exhibitions taking place in New York in 2012, they decided to move to the United States, where they have been living ever since, allowing them to grow as artists.

  • “It was really frustrating to be detained for doing art during the last year living in Iran. Working and life became super stressful, we would get paranoid for everything we did. It became so hard to continue working as artists that we decided to leave the country to be able to work more freely and internationally.”
    - Icy and Sot

  • A great variety of techniques
    Borders II, 2021, Welded chain link fence and paint, 114 x 86 x 10 cm

    A great variety of techniques

    Icy and Sot have a very hands-on approach to experimenting with new techniques. Throughout the years they have been adding to their vocabulary an impressive range of materials, often chosen for their symbolic significance. “We decided that whatever idea we had, we would make it happen in whatever medium or material that makes the work stronger.” With time their pieces have gotten more and more sophisticated and innovative. Recently the artists have started making graceful abstract works that highlight the intrinsic properties of materials, demonstrating once again their ability to outgrow themselves and deliver surprises.

    • Saman & Sasan Oskouei Confluent, 2021 Acrylic on Canvas 122 x 122 cm 48 1/2 x 48 1/2 in
      Saman & Sasan Oskouei
      Confluent, 2021
      Acrylic on Canvas
      122 x 122 cm
      48 1/2 x 48 1/2 in
      View more details
    • Saman & Sasan Oskouei Social Chaos ( Blue), 2021 Acrylic on Canvas 91 x 91 cm 36 x 36 in
      Saman & Sasan Oskouei
      Social Chaos ( Blue), 2021
      Acrylic on Canvas
      91 x 91 cm
      36 x 36 in
      View more details
    • Saman & Sasan Oskouei Untitled III, 2019 Acrylic on canvas, applied with cut-out steel tool 147 x 162 cm 57 7/8 x 63 3/4 in
      Saman & Sasan Oskouei
      Untitled III, 2019
      Acrylic on canvas, applied with cut-out steel tool
      147 x 162 cm
      57 7/8 x 63 3/4 in
      View more details
    • Saman & Sasan Oskouei Untitled, 2021 Acrylic on Canvas 124 x 91 cm 49 x 36 in
      Saman & Sasan Oskouei
      Untitled, 2021
      Acrylic on Canvas
      124 x 91 cm
      49 x 36 in
      View more details
    • Icy and Sot, painting on paper, courtesy Danysz gallery
      Saman & Sasan Oskouei
      Social Chaos, 2021
      acrylic on Fabriano 640gsm
      73.7 x 104.1
      29 x 41
      View more details
    • Saman & Sasan Oskouei Social Chaos I, 2021 Acrylic on Canvas 294 x 190 cm 116 x 75 in
      Saman & Sasan Oskouei
      Social Chaos I, 2021
      Acrylic on Canvas
      294 x 190 cm
      116 x 75 in
      View more details
    • Saman & Sasan Oskouei Inexorable, 2021 Cut Out and Welded Vintage Window Grills 203 x 183 cm 80 x 72 1/2 in
      Saman & Sasan Oskouei
      Inexorable, 2021
      Cut Out and Welded Vintage Window Grills
      203 x 183 cm
      80 x 72 1/2 in
      View more details
    • Saman & Sasan Oskouei Social Chaos II, 2021 Acrylic on Canvas 208 x 142 cm 82 x 56 in
      Saman & Sasan Oskouei
      Social Chaos II, 2021
      Acrylic on Canvas
      208 x 142 cm
      82 x 56 in
      View more details
  • ICY (Saman, born in 1985) and SOT (Sasan, born in 1991) grew up in Tabriz in northern Iran. Their work...

    ICY (Saman, born in 1985) and SOT (Sasan, born in 1991) grew up in Tabriz in northern Iran. Their work has been shown in major institutions such as the Museum of Urban and Contemporary Art in Munich, the Southampton Arts Center in New York, the Museum of Fine Arts in Calais, France, the Mesa Contemporary Arts Museum in Mesa, USA, the Lancaster Museum of Art and History in Lancaster, USA, the NUART Festival in Norway, and the Modern, Contemporary and Street Art Museum in Amsterdam, among other places. They live in New York.

  • Stay tuned for more:

    If you wish to be informed privately of Icy and Sot's new projects and art in advance, please email us